The answer seems kind of obvious, but I sometimes overhear actors talking about which photographer to choose based on whether or not the photographer is a commercial photographer or a theatrical one.  I feel like asking, “Huh? Hold on there, what do you mean by that?  Don’t you want both commercial and theatrical headshots out of one session?  Why would you label a photographer that way?  I’ve never heard photographers label themselves one or the other.”  They usually call themselves Headshot Photographers and headshots includes both commercial and theatrical images.

Here’s the question you should be asking:  Can the photographer bring out both my commercial essence and my theatrical essence?

To answer this question, let’s first define commercial vs. theatrical headshots.  The following definitions do not necessarily have to exist at the same time, but at least one or more of the following elements are what defines commercial vs. theatrical.

  • Smile vs. No Smile:  One way to define a commercial shot is by the big smile and conversely a theatrical shot traditionally is non-smily.  The line between the two has blurred a bit over the years; often the ‘in-between’ smirky shot can be effective commercially and theatrically. But for the most part, our traditional definitions of  smile means commercial and no smile means theatrical still apply.
  • Lighting: Another difference is in the lighting choices the photographer makes.  Usually, contouring with shadows or harsh shadows for dramatic effect are defined as theatrical. Flat lighting is generally used for commercial shots.
  • Colors:  Theatrical shots can be defined by darker, moodier colors, while commercial shots can be expressed with brighter ‘happier’ colors.

So it becomes clear that when actors put commercial or theatrical labels on photographers, it’s likely because they’re actually noticing the particular photographer’s style.  That doesn’t mean that the photographer only shoots commercial or theatrical.

If the photographer has a dramatic lighting style, look to see if there are shots in his portfolio that convey a lighter essence with either softer lighting, or smily images, perhaps with colorful clothing choices.  If any one of these elements are present in your shot, the image will pass as commercial.  Same with theatrical.  If a photographer has a bright style, if you see images with subtle expressions, maybe a little smirky, or even dramatic lighting and with darker color choices, that means you can probably expect theatrical shots out of the session.

See if you can identify commercial vs. theatrical headshot in the images below!

What are your experiences when it comes to commercial vs. theatrical?  Let us know with your comments!



Cindy Varon: Theatrical Mom / Sitcom Office

Anissa Borrego: Theatrical or Commercial Hipster / Commercial Gamer

Actor-headshots-Los-Angeles-brennan-feonixBrennan Feonix: Theatrical Hero / Commercial Office Guy

Diane Sargent: Theatrical Country Club Wife / Commercial Upscale Business

Dylan Silver: Theatrical Love Interest / Commercial Hipster / Theatrical Hero / Comedic Office

Los Angeles Digital headshots
Eva Garcia Luna: Theatrical Detective / Vincent Chimato: Theatrical Blue Collar

LA HeadshotsLola Rae: Theatrical Creative Commercial /  Jenaha McLearn: Commercial Girl Next Door

Commercial headshots Los Angeles
Rishi Adduri: Commercial Kids Headshots

Los Angeles Kids headshotsJonathan Wilson: Theatrical Bully / Theatrical Mischievous  Student

Top headshot photographers LAShannen Wilson and her brother Jonathan: Kids Headshots



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