[Female Headshot Photographer in Los Angeles, Vanie Poyey]
Headshot rules exist because somebody somewhere messed up.
(Dat be-😉 an amateur photographer) causing reps not to be able to use the headshot effectively and therefore creating blanket rules for everyone.
CAN YOU BLAME THEM? As laymen, they look at a photo, identify the problem and say, “I never want to see that again.”
Aaron Pruner: American Tourist / Edgy Down and Out
Emily Brandau: Student / Best Friend
However, the choice the photographer made isn’t the problem– it’s how that choice was executed.
The bigger reps know this and don’t have a long list of blanket rules ALL photographers should abide by.
They often refer their clients to more reputable photographers who understand industry standards (their clients are often working actors who can afford the expense) so they trust the results regardless of whether or not a “rule” is broken in the process.
The headshots created still give them results!
James Larson: Creative Tech / Best Friend / Blue Collar
Jim Marsilio: Edgy Anti-Hero / BBQ Dad
Smaller boutiques however, rely more heavily on headshots because they don’t have as many relationships with casting directors as the bigger reps do.
They don’t tend to have a lot of working clients who can afford more expensive photographers and often get stuck with sub-par headshots from inexpensive amateurs.
Therefore, they tend to be adamant about their rules.
BUT THERE’S A PROBLEM WITH BRINGING A SET OF CONSTRICTING RULES to a pro session.
Pro photographers understand how to create headshots that work without having to abide by “rules.” Often, a long list of blanket rules prevents pros from being able to give you the “look” they are known for.
Luba Hansen: Customer Service/ Love Interest
Michael Ehrenberg: Artist / James Marsh: Blue Collar
Let me give you an example.
I had a client come in for a session with a very long list of rules. He loved my work, but his manager’s rules prevented me from being able to produce the very look he loved about my work in the first place.
His manager didn’t want textured backgrounds, didn’t want him leaning into the camera, didn’t want him sitting etc. etc. etc.
SINCE I HAVE ALL MY CLIENTS LEAN IN, that was the first rule I had to fight not to abide by.
I explained to him how with the lens I use, it almost requires that I have my clients lean in or their head will end up looking smaller than their body.
Also, that’s the magic behind cleaning up jaw lines and getting rid of double chins (which he may have needed help with).
The second rule I fought to get rid of was the no-sitting rule.
Some essences are just easier to capture when someone is sitting. If there’s a character that needs to look relaxed or more intimate, I have to have my client sit so I can bring out that essence effortlessly.
Flat backgrounds are okay, but sometimes having texture in the background helps create a certain mood.
Miranda Wynne: Girls’ Night Out/ Hipster
Sandy Francis: Nosy Neighbor / Susan Dexter: Suburban Grandmother
In the end, my client willingly went along with my suggestions and we broke all the rules his manager had given him. But guess what?
She was VERY HAPPY with the results.
This is why I don’t subscribe to the idea of headshot rules.
Betsy Beltran: Boho Chic (for print) / BBQ Mom (for print)
Daniel Solomon: Office Guy / Urban Hip
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Thanks Vanie for the tips! I’m looking to jump back into the biz and these tips are helpful for me to evaluate what I want to project to get the roles suited for me. Hope to catch one of your Detroit sessions in a few months!
Thank you. This was extremely informative.
The tips are sooooo on point Vanie. Wish everyone would understand this!!